The oriental territories were not an easy ground for the bold architectural achievements that they produced. Their fruitful careers spanned over thirty years and included locations like Tamil Nadu and the Philippines. It is a surprising fact that, out of happenstance, two European architects, Antonin Raymond and László Hudec, had to intervene to remedy this situation, to the point of becoming 20th century icons in Japan and China. At the turn of the 19th century, for dynastic, political and economic reasons, Eastern Asia had very little modern architecture. The purpose of this article is to disclose the strenuous efforts of László Hudec in China and Antonin Raymond in Japan and India to create a modern architectural stance by heralding an incipient space syntax.
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